Posts by Forrest_Murphy
Urban Agriculture and Organic Architecture
RBUFW Classroom building, view looking south from the entry path (architectural rendering)
RBUFW Classroom building, view looking south from the entry path (architectural rendering)

RBUFW Classroom Building

We've been on an intense push the last few weeks to develop a schematic design for the new Classroom Building at the Rainier Beach Urban Farm and Wetlands (RBUFW). We're incredibly excited that Seattle Parks and Seattle Tilth were able to compress a two-phase master plan into a single project, but the result has been a very aggressive schedule for the design phase!

For  inspiration, we've been looking at pragmatic agricultural structures, both the simple closed forms of storage sheds and more "prismatic" shapes of greenhouses and barns. Greenhouses are particularly intriguing in the way the inside reveals a complicated structure and interior volume that is barely suggested by their taut and simple exterior form.

Greenhouse interior & exterior images
Greenhouse interior & exterior images

Sited to preserve the maximum agricultural land, the Classroom Building is nestled into a hillside along the east edge of the property. Three closed "boxes" containing support functions are slotted into the hillside, with the open space between accommodating the classroom and a grove of existing trees.

RBUFW Classroom Building Floor Plan
RBUFW Classroom Building Floor Plan

Above the boxes, a pair of elevated canopies create the primary function spaces and extend out over the pathway to provide plenty of covered outdoor space.

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Image
RBUFW Classroom Building, view from the SW (architectural rendering)
RBUFW Classroom Building, view from the SW (architectural rendering)

From the outside, these canopies appear as simple translucent volumes, but the inside reveals vaulted space, filtered sunlight and expressive structure. We've taken inspiration from architects such as MW Works and VJAA who accept the construction techniques of industrial space-making, but turn around and use those conventional materials in a very refined and thoughtful manner.

RBUFW classroom building, view under main porch (architectural rendering)
RBUFW classroom building, view under main porch (architectural rendering)
RBUFW classroom building, interior view (architectural rendering)
RBUFW classroom building, interior view (architectural rendering)

Big Views, Small Views
iss-high ext

This recently completed residence in the Issaquah Highlands, 20 miles east of Seattle, enjoys spectacular views. A big part of our role here was to know when to get out of the way!

iss-high bigview

A central circulation spine screens private zones while channeling visitors towards the open kitchen-living-dining area. With its subtle nods to Japanese traditions, the house is as much about choreography as building

iss-high smallview

More intimate framed views of the contemplative garden and the art collection provide contrast before the vista finally opens completely at the rear of the house.

iss-high ext2

Generous overhangs and deliberately engineered cross-ventilation provide effective passive cooling and weather protection for this mountaintop site.

PROJECT TEAM

CAST Architecture:  Stefan Hampden, Matt  Hutchins, Forrest Murphy

Add’l Design:  Eric Oliner

Calista Interiors:  Calista Munnell

Stoney Point Engineering (Structural): Dwayne Barnes

Core Design Inc. (Geotechnical & Civil): Glenn Sprague

BDR Custom Homes:  Steven Jewett


Additions that don't Divide

aerial view Here's another new project in the office, an addition to a residence on Capital Hill. The existing house is a tiny 750 sq. ft. bungalow on one of Seattle's steepest streets. The owners found the compact plan a perfect fit when they first moved in, but two kids later, they desperately need more room. They are drawn of the core values of modern architecture: emphasis on natural light, spaces that flow together, honest and straightforward materials and want a house that expresses that. They are comfortable making a pretty bold statement, but they also want the addition to feel comfortable in the existing fabric of the neighborhood. They are interested in sustainability that is designed in from the ground up, which led to the early decision to preserve the existing structure instead of starting from scratch on the site.

How to add onto an existing building that has a well-defined or historical style is a perennial architectural puzzle (and hip roofs are especially difficult to achieve seamless integration). In this case, we approached it by creating a clear contrast between the new and the old through form, material and color. But it's not enough to just plunk a contemporary form next to an old house and expect a real conversation to take place. In this addition, the new and old talk to each other both in how the volumes intersect and in how the two differing styles overlap.

Intersection Our early drawings all show a long, narrow addition running north-south to hold the downhill edge of the property. However, after looking at dozens of alternative schemes, we realized the potential for a very special outdoor space, between the south-facing wall of the addition, the steep hillside and the existing house. Private, yet with almost ideal sun exposure, this patio is the heart of the design but it sets up a tricky problem: we wanted to the public and private wings of the house to fit up against one another while at the same time creating a space between them.

the new courtyard

In the rendering above, you can see how we resolved this conundrum: the charcoal-colored wall literally acts like a giant door, swinging out of the (blue) addition to carve space from the (yellow) existing house and define the courtyard. This dividing wall gets a different material and different detailing show a clear relationship between the planning and the way the house is actually made. Creating a courtyard at the joint between the new and old helps to differentiate the two volumes and separate the bedrooms from the public spaces. The slight angle of the addition's south wall also provides enough solar exposure so that a concrete trombe wall behind the south-facing glass is effective in reducing the use of conventional heating by about a third. (More on the passive solar design of this house in a later post)

Overlap While they are separated by their overall form, the old and new portions of the house are tied together by elements that extend the language of one style into the other portion of the house. The largest example of this is the secondary level of detailing we are developing for both structures. The large-scale metal sun canopy of the addition is repeated at a smaller scale as a canopy at the front entry and then inside the original house as a pair of room-divider screens that create separate zones within the loft-like space (and incidentally help act as shear walls).

from the street

family room at intersection

The language of filtering light through parallel vertical columns even extends the site design: the wide sideyard on the west creates the perfect bamboo garden outside the kitchen's horizontal slot window and a verdant path to the courtyard.

open living space